Introduction to PartII: Piety in Practice
An introduction to four distinct essays that examine diverse art forms and artists ranging from the early twentieth-century Mexican artist, Alfredo Ramos Martinez, and his revolutionary Mexican artistic sensibility; to Guadalupe devotees’ contemporary Mexican Catholic pilgrimage practices; to South...
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| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Journals Online & Print: | Carregar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
Brill
2014
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| Em: |
Religion and the arts
Ano: 2014, Volume: 18, Número: 1/2, Páginas: 114-119 |
| Outras palavras-chave: | B
art and social healing
devotional art
graveside imagery
indigenous and mestizo spirituality
Mesoamerican cultures
Mexican Catholic devotional practices
pilgrimage
Hispano spirituality
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| Acesso em linha: |
Volltext (Verlag) |
| Resumo: | An introduction to four distinct essays that examine diverse art forms and artists ranging from the early twentieth-century Mexican artist, Alfredo Ramos Martinez, and his revolutionary Mexican artistic sensibility; to Guadalupe devotees’ contemporary Mexican Catholic pilgrimage practices; to Southwest Hispano graveside spirituality; and a Latin American commitment to creating art as a tool for social healing and transformation. The essays intersect through their engaging analysis of very diverse forms of visual art and the deeply spiritual and socially conscious motivations of the respective artists, whether professionally trained or simply creators of their personal devotional art. Weaving in their own personal relationships to the art they are exploring, the authors offer diverse methodologies by which scholars and lay readers can better appreciate the human intent in the creation of art, and can witness the powerful role that art plays in the process of creating national identity and healing personal and social wounds. |
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| ISSN: | 1568-5292 |
| Obras secundárias: | In: Religion and the arts
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| Persistent identifiers: | DOI: 10.1163/15685292-01801007 |