Grave Matters: Juan Eusebio Nieremberg’s Partida a la eternidad (1643) and Jesuit Approaches to Death in Early Modern Spain
Abstract This article examines the key themes in Juan Eusebio Nieremberg’s Partida a la eternidad and its relationship to the Jesuit production of ars moriendi tracts in early modern Spain. Special attention is given to the intended readership of this and other similar texts, the focus Nieremberg pl...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
2021
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In: |
Journal of Jesuit studies
Year: 2021, Volume: 8, Issue: 4, Pages: 638-659 |
Further subjects: | B
vanitas imagery
B Spanish asceticism B Devotional literature B Ignatius Loyola B Juan Eusebio Nieremberg |
Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
Summary: | Abstract This article examines the key themes in Juan Eusebio Nieremberg’s Partida a la eternidad and its relationship to the Jesuit production of ars moriendi tracts in early modern Spain. Special attention is given to the intended readership of this and other similar texts, the focus Nieremberg places on the reading of devotional books and treatises, and the manner in which Jesuit death manuals came to reflect the emerging apostolic goals and the spiritual tradition in the Society of Jesus around the time of its first centenary. Here, the author highlights Nieremberg’s inclusion of imaginative and visual contemplations, his approach to condemnation and hell, and the rhetoric he develops around the joy and delight readers are invited to experience in the actual, or imagined, states of illness and dying. |
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ISSN: | 2214-1332 |
Contains: | Enthalten in: Journal of Jesuit studies
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Persistent identifiers: | DOI: 10.1163/22141332-08040006 |