Practice, Process, and Performance: Shaping a Devotional Habitus in the Margins of Bernard of Clairvaux's "Sermons on the Song of Songs"

Illustrations and annotation in the margins of manuscripts can offer unique insights into the medieval reading experience. This article explores how Douai, Bibliothèque municipale, MS 373, a manuscript containing Bernard of Clairvaux's Sermones super Cantica canticorum, produced and read in lat...

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Detalles Bibliográficos
Autor principal: Smits, Lieke Andrea (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado: [2021]
En: Journal of medieval religious cultures
Año: 2021, Volumen: 47, Número: 1, Páginas: 1-20
Clasificaciones IxTheo:CB Existencia cristiana
KAE Edad Media Central
KBF Islas Británicas
KCA Órdenes y congregaciones
RE Homilética
Otras palabras clave:B marginal illustrations
B Hábito
B Performativity
B devotional practice
B Bridal Mysticism
B monastic theology
B reading experience
Acceso en línea: Volltext (doi)
Volltext (lizenzpflichtig)
Descripción
Sumario:Illustrations and annotation in the margins of manuscripts can offer unique insights into the medieval reading experience. This article explores how Douai, Bibliothèque municipale, MS 373, a manuscript containing Bernard of Clairvaux's Sermones super Cantica canticorum, produced and read in late medieval England, facilitates and reflects a performative mode of reading. While a movement from reading to bodily performance is suggested, this article argues that the opposite movement is also encouraged, as part of a nonlinear mode of reading in which images function both as a starting point and as a point of return for devotional practice.
ISSN:2153-9650
Obras secundarias:Enthalten in: Journal of medieval religious cultures
Persistent identifiers:DOI: 10.5325/jmedirelicult.47.1.0001