Showing what cannot be Depicted Visually: Resurrection and Film
Christianity is -- irrespective of denominational variation -- not conceivable without the event that, according to the tradition, led the first disciples to overcome their fears and confess Jesus of Nazareth as the Christ -- the resurrection of the just one who was martyred and killed. However, the...
Main Author: | |
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Format: | Print Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
2024
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In: |
Concilium
Year: 2024, Issue: 2, Pages: 81-93 |
Standardized Subjects / Keyword chains: | B
The passion of the Christ
/ Jésus de Montréal
/ The Shawshank redemption
/ Resurrection
/ Resurrection
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IxTheo Classification: | CD Christianity and Culture KAJ Church history 1914-; recent history NBE Anthropology NBQ Eschatology |
Further subjects: | B
Theology
B FAITH (Christianity) B Resurrection |
Summary: | Christianity is -- irrespective of denominational variation -- not conceivable without the event that, according to the tradition, led the first disciples to overcome their fears and confess Jesus of Nazareth as the Christ -- the resurrection of the just one who was martyred and killed. However, the data from the biblical and other texts of the first hundred years of Christendom show that this idea became awkward. Was there really an empty tomb? Or is talk of the resurrection to be understood as 'only' metaphorical or even only symbolic? All three ways of understanding 'resurrection have been and remain popular themes in film. This article will explore some examples of this. |
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ISSN: | 0010-5236 |
Contains: | Enthalten in: Concilium
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