De la ontología al arte. Los caminos medievales de la belleza = From Ontology to Art: The Medieval Ways of Beauty
This paper seeks to find the roots of the medieval idea of Beauty. It does so by identifying two main currents of thought concerning Beauty: beauty as ontology and beauty as form. They both concur in Aquinas´ thought, whose views will open the way for a more autonomous ways of thinking about art., E...
| Subtitles: | From Ontology to Art: The Medieval Ways of Beauty |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Facultad de Teología San Isidoro de Sevilla
2020
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| In: |
Isidorianum
Year: 2020, Volume: 29, Issue: 1, Pages: 15-50 |
| Further subjects: | B
Autonomía
B belleza B Ontología B Arte |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This paper seeks to find the roots of the medieval idea of Beauty. It does so by identifying two main currents of thought concerning Beauty: beauty as ontology and beauty as form. They both concur in Aquinas´ thought, whose views will open the way for a more autonomous ways of thinking about art., El presente artículo pretende rastrear los caminos por los que la noción de belleza ha transitado durante el pensamiento medieval, identificando dos grandes líneas de pensamiento: la belleza ontológica y la belleza formal. Ambos vienen a coincidir en la reflexión de Tomás de Aquino, cuya mirada abrirá el camino hacia una reflexión más autónoma del arte. | ||
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