The Posthumanity of "the Son of Man": Heroes as Postmodern Apocalypse
As a serial narrative, the TV series Heroes cannot end and yet its story is impossible without the continual threat of an end of the world. However, this inability to end also connects these narratives with biblical narratives of the end, which are always "apocalypse without apocalypse" (D...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
[2011]
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| In: |
Journal of religion and popular culture
Year: 2011, Volume: 23, Issue: 3, Pages: 263-275 |
| Further subjects: | B
Son of Man
B Apocalypse B Gospel of Mark B Heroes B Book of Daniel B Posthuman B Postmodern B television Bible |
| Online Access: |
Volltext (Resolving-System) Volltext (doi) |
| Summary: | As a serial narrative, the TV series Heroes cannot end and yet its story is impossible without the continual threat of an end of the world. However, this inability to end also connects these narratives with biblical narratives of the end, which are always "apocalypse without apocalypse" (Derrida). Even in its ancient forms, this revelation that does not reveal is a postmodern phenomenon, as that which "puts forward the unpresentable in presentation itself" (Lyotard). Although the show rarely cites the Bible, in juxtaposition to the biblical texts' "son of man" language, Heroes opens up an intertextual context through which the "sons of man" of Daniel 7 and elsewhere in the Bible acquire meaning as posthuman beings, even as the mysterious forces producing the TV show's varied characters are interrogated. |
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| ISSN: | 1703-289X |
| Contains: | Enthalten in: Journal of religion and popular culture
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| Persistent identifiers: | DOI: 10.3138/jrpc.23.3.263 |