What’s In A Culture? A Critical Examination of Culture and Faith Through a Cinematic Lens of Son of Man (2006)
In this paper, I explore the claim that the film Son of Man (2006) represents a story of “continuity between African culture and Christian faith”. While this statement implies a seamless connection between the two, I argue that the relationship is more complex and fluid. Rather than strict continuit...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Routledge, Taylor and Francis Group
2024
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| In: |
Black theology
Year: 2024, Volume: 22, Issue: 1, Pages: 51–68 |
| Further subjects: | B
Bible and Film
B Jesus B Reception B Christianity B Culture B African |
| Online Access: |
Volltext (kostenfrei) |
| Summary: | In this paper, I explore the claim that the film Son of Man (2006) represents a story of “continuity between African culture and Christian faith”. While this statement implies a seamless connection between the two, I argue that the relationship is more complex and fluid. Rather than strict continuity, I propose that the film depicts a process of adaptation, where certain cultural elements are retained while others are discarded. Through analysis of cross-cultural audience responses to Son of Man, I investigate how faith meets with the South African landscape, considering historical and cultural contexts. This examination demonstrates that the film presents a complex relationship between culture and faith, challenging the notion of a straightforward continuity. |
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| ISSN: | 1743-1670 |
| Contains: | Enthalten in: Black theology
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| Persistent identifiers: | DOI: 10.1080/14769948.2024.2318101 |