The Bible and Its Cinematic Adaptations: A Consideration of Filmic Exegesis

This article discusses key theoretical issues pertaining to the Bible’s cinematic reception history. It proposes the term “filmic exegesis” to describe a twofold process of interpretation, which involves both situated filmmakers (at the moment of production) and situated film-viewers (at moments of...

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Bibliographic Details
Main Author: Burnette-Bletsch, Rhonda 1970- (Author)
Format: Electronic Article
Language:English
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Published: De Gruyter 2014
In: Journal of the bible and its reception
Year: 2014, Volume: 1, Issue: 1, Pages: 129-160
Standardized Subjects / Keyword chains:B Biblical studies / Exegesis / Methodology / Film
IxTheo Classification:CD Christianity and Culture
HA Bible
Further subjects:B Methodology
B Film
B Biblical Studies
B Exegesis
B Modern
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Description
Summary:This article discusses key theoretical issues pertaining to the Bible’s cinematic reception history. It proposes the term “filmic exegesis” to describe a twofold process of interpretation, which involves both situated filmmakers (at the moment of production) and situated film-viewers (at moments of reception) as active readers of biblical texts. After tracing what has become the dominant scholarly narrative of the Bible’s history in cinema, three methodological points are considered: (1) the need for scholarship to reach beyond the hegemony of Hollywood, (2) the difficulty of establishing clear criteria to define what “counts” as biblical reception in film, and (3) the necessity of moving beyond descriptive cataloguing to critical analysis of the Bible’s filmic afterlives. Finally, this article confronts lingering academic skepticism toward the value of studying the Bible’s popular reception and explains why biblical scholars should bother with filmic exegesis.
ISSN:2329-4434
Contains:Enthalten in: Journal of the bible and its reception
Persistent identifiers:DOI: 10.1515/jbr-2014-0001