On Reading Love in Frankenstein and The Song of Songs
This essay draws together the Song of Songs and Mary Shelly’s Frankenstein in order to engage in a comparative reading, one text alongside the other. The theoretical frame that holds this rereading is Cixous’s school of poetic thinking-writing: écriture féminine. The contribution this essay makes to...
| Άλλοι τίτλοι: | Essays |
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| Κύριος συγγραφέας: | |
| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
2021
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| Στο/Στη: |
The Bible and critical theory
Έτος: 2021, Τόμος: 17, Τεύχος: 2, Σελίδες: 21-32 |
| Άλλες λέξεις-κλειδιά: | B
Frankenstein
B Mary Shelley B Cixous |
| Διαθέσιμο Online: |
Volltext (kostenfrei) |
| Σύνοψη: | This essay draws together the Song of Songs and Mary Shelly’s Frankenstein in order to engage in a comparative reading, one text alongside the other. The theoretical frame that holds this rereading is Cixous’s school of poetic thinking-writing: écriture féminine. The contribution this essay makes to studies of the Song of Songs is in its problematising of divine love and critical emphasis on its mortality within a discursive and eclectic world of texts, primarily Frankenstein, but also, Paradise Lost, Genesis, The Book of Promethea, and Philosophy of the Boudoir. |
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| ISSN: | 1832-3391 |
| Περιλαμβάνει: | Enthalten in: The Bible and critical theory
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