On Reading Love in Frankenstein and The Song of Songs
This essay draws together the Song of Songs and Mary Shelly’s Frankenstein in order to engage in a comparative reading, one text alongside the other. The theoretical frame that holds this rereading is Cixous’s school of poetic thinking-writing: écriture féminine. The contribution this essay makes to...
| Другие заглавия: | Essays |
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| Главный автор: | |
| Формат: | Электронный ресурс Статья |
| Язык: | Английский |
| Проверить наличие: | HBZ Gateway |
| Journals Online & Print: | Загрузка...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
2021
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| В: |
The Bible and critical theory
Год: 2021, Том: 17, Выпуск: 2, Страницы: 21-32 |
| Другие ключевые слова: | B
Frankenstein
B Mary Shelley B Cixous |
| Online-ссылка: |
Volltext (kostenfrei) |
| Итог: | This essay draws together the Song of Songs and Mary Shelly’s Frankenstein in order to engage in a comparative reading, one text alongside the other. The theoretical frame that holds this rereading is Cixous’s school of poetic thinking-writing: écriture féminine. The contribution this essay makes to studies of the Song of Songs is in its problematising of divine love and critical emphasis on its mortality within a discursive and eclectic world of texts, primarily Frankenstein, but also, Paradise Lost, Genesis, The Book of Promethea, and Philosophy of the Boudoir. |
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| ISSN: | 1832-3391 |
| Второстепенные работы: | Enthalten in: The Bible and critical theory
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