A New King David for Late Antiquity: Classical Exemplarity and Biblical Personality in Pseudo-Hegesippus
In late ancient Christian literature, King David is ubiquitous. Not simply cited as the famous author of many psalms, he almost always appears as a model of penitence, a foreshadow of Christ, or a paradigm of Christian virtues and values. But not always. In one fourth-century Christian text, King Da...
| Published in: | Journal of early Christian history |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Taylor & Francis Group
2021
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| In: |
Journal of early Christian history
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| IxTheo Classification: | CD Christianity and Culture HB Old Testament KAB Church history 30-500; early Christianity |
| Further subjects: | B
Biblical Reception
B Exemplarity B De excidio B King David B Latin B Exempla B Pseudo-Hegesippus |
| Online Access: |
Volltext (lizenzpflichtig) |
| Summary: | In late ancient Christian literature, King David is ubiquitous. Not simply cited as the famous author of many psalms, he almost always appears as a model of penitence, a foreshadow of Christ, or a paradigm of Christian virtues and values. But not always. In one fourth-century Christian text, King David appears in a striking and distinctive relief. This Latin text, known as De excidio Hierosolymitano (On the Destruction of Jerusalem), sometimes called PseudoHegesippus, presents King David as a figure familiar from Judaeo-Christian tradition, but in a way that resonates most strongly with classical Greco-Roman literary norms. This text rewrites Josephus’s Jewish War from a Christian perspective, and mentions David at a dozen points. In each case, David appears as an exemplum associated with a particular biblical episode or theme. Often, the treatment of these episodes in Josephus or other early Christian literature helps explain why Pseudo-Hegesippus presents David in particular lights. However, taking all of the appearances of David in De Excidio into view, this article shows that Pseudo-Hegesippus is not only beholden to biblical, Josephan, or early Christian precedents, but creatively constructs his own portrait of David within his historiographical framework. This article then suggests that this David’s rhetorical valence and distinctive character are best explained vis-à-vis the traditional (Greek and) Roman use of exempla inasmuch as Pseudo-Hegesippus’s David conspicuously lacks any of the theological, doctrinal, or ethical features so characteristic of his portrayal in most of ancient Christian literature. Pseudo-Hegesippus portrays King David in terms resonant of both Greco-Roman and Judaeo-Christian traditions. |
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| ISSN: | 2471-4054 |
| Contains: | Enthalten in: Journal of early Christian history
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| Persistent identifiers: | DOI: 10.1080/2222582X.2021.1880953 |