A Roman Portrait of Abraham in Paul’s and Philo’s Later Exegesis
Abstract This article analyzes Bible exegesis as a key to understand the increasingly Roman orientation of Paul. Philo of Alexandria, Paul’s slightly older contemporary, is introduced as a point of comparison, as his move from the earlier Allegorical Commentary to the Life of Abraham clearly documen...
| Published in: | Novum Testamentum |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2021
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| In: |
Novum Testamentum
Year: 2021, Volume: 63, Issue: 4, Pages: 452-476 |
| Standardized Subjects / Keyword chains: | B
Abraham, Biblical person
/ Bible. Römerbrief 4
/ Bible. Galaterbrief 3,6-14
/ Paul Apostle
/ Philo, Alexandrinus 25 BC-40
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| IxTheo Classification: | HC New Testament HD Early Judaism KAB Church history 30-500; early Christianity |
| Further subjects: | B
Abraham
B Rome B Exemplarity B Galatians B public libraries B Romans B Philo B Bible exegesis |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Abstract This article analyzes Bible exegesis as a key to understand the increasingly Roman orientation of Paul. Philo of Alexandria, Paul’s slightly older contemporary, is introduced as a point of comparison, as his move from the earlier Allegorical Commentary to the Life of Abraham clearly documents an intellectual journey towards Roman discourses, which is characteristic also of Paul. The argument is presented in three steps: initially the image of Abraham in Galatians is compared to that in Romans and the new discourse of exemplarity in the latter is highlighted. In the second section Philo’s image of Abraham is analyzed in its dramatic change from systematic Bible commentary to exemplary ethics. The third section deals with the Roman context. The latter is illuminated by looking at some passages in Philo’s later treatise Every Good Man is Free, which addresses Roman audiences on their own turf by discussing Greek and Roman heroes. It is shown that these Pagan portraits are animated by the same discourse of exemplarity as Philo’s and Paul’s Roman portrait of Abraham in their later exegesis. As the Pagan anecdotes have parallels in Roman literature, they provide a context for Paul’s and Philo’s exegesis in a Roman key. |
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| ISSN: | 1568-5365 |
| Contains: | Enthalten in: Novum Testamentum
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| Persistent identifiers: | DOI: 10.1163/15685365-12341713 |