What Gewirth is Worth at the Department Store

This article argues that within the retail setting any aesthetic influence employed by the retailer is ultimately going to result in utilitarian outcomes for the clientele of that store. Indeed, that in pursuing such an aesthetic appeal, the retailer can be perceived as akin to an artist with his or...

Full description

Saved in:  
Bibliographic Details
Main Author: Schwartz, Michael 1963- (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Springer Science + Business Media B. V 2005
In: Journal of business ethics
Year: 2005, Volume: 58, Issue: 1, Pages: 27-35
Further subjects:B Department stores
B Social Justice
B Gewirth
B Theatre
B Retailing
B Aesthetics
Online Access: Volltext (JSTOR)
Volltext (lizenzpflichtig)
Description
Summary:This article argues that within the retail setting any aesthetic influence employed by the retailer is ultimately going to result in utilitarian outcomes for the clientele of that store. Indeed, that in pursuing such an aesthetic appeal, the retailer can be perceived as akin to an artist with his or her primary responsibility not to the larger society but to the store and the statement that it makes. This argument is re-inforced by the historical experience of department store operators in pre-war Nazi Germany. The article also contemplates Alan Gewirth’s Theory of Justice, and argues that it is only applicable in a retail setting.
ISSN:1573-0697
Contains:Enthalten in: Journal of business ethics
Persistent identifiers:DOI: 10.1007/s10551-005-1386-7