Buddhist Ritual as “Connectionwork”: Aesthetics and Technologies of Mediating Religious Belonging

Abstract In September 2016, the Himalayan Buddhist festival Naropa 2016 took place in the Northwest Himalayan region of Ladakh, India. This article analyzes the spectacular aesthetics of the Naro Gyen Druk ritual, the focus of Naropa 2016. Drawing on ethnographic documentation of this ritual, I cons...

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主要作者: Williams-Ørberg, Elizabeth 1975- (Author)
格式: 電子 Article
語言:English
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出版: Brill 2021
In: Numen
Year: 2021, 卷: 68, 發布: 5/6, Pages: 488-512
Standardized Subjects / Keyword chains:B Ladakh / Naḍapāda 956-1040 / 宗教節日 / Geschichte 2016 / 藏傳佛教 / 宗教儀式 / 宗教身份 / 感情 / 關係 / Pad-ma-dbang-chen 1963- / 竹巴噶举
IxTheo Classification:AD Sociology of religion; religious policy
AG Religious life; material religion
BL Buddhism
KBM Asia
Further subjects:B Himalayan Buddhism
B 儀式
B religious belonging
B 恩賜
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實物特徵
總結:Abstract In September 2016, the Himalayan Buddhist festival Naropa 2016 took place in the Northwest Himalayan region of Ladakh, India. This article analyzes the spectacular aesthetics of the Naro Gyen Druk ritual, the focus of Naropa 2016. Drawing on ethnographic documentation of this ritual, I consider the role of ritual aesthetics in provoking affective, emotional, and bodily experiences among participants and their felt connections to the 12th Gyalwang Drukpa, the charismatic leader of the Drukpa Kagyü organization. I introduce the term “connectionwork” to emphasize how Buddhist conceptualizations of connections, drelwa (‘brel ba), bring to light how ritual and performances of charisma either work or fail to work in establishing religious belonging among Himalayan and international participants. Connectionwork helps to emphasize not only the work to organize and orchestrate religious rituals with the intention to institute religious belonging, but also the agential role that participants play in charismatic ritual performances.
ISSN:1568-5276
Contains:Enthalten in: Numen
Persistent identifiers:DOI: 10.1163/15685276-12341637