The Art of the "Global Church": Around the World with Liturgical Arts

The U.S. journal Liturgical Arts offered readers a glimpse into the art and architecture of the "global church" during the 1950s, when the journal's editor Maurice Lavanoux traveled widely in Asia, Latin America, the Caribbean, and Africa. Lavanoux's long relationships with missi...

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Bibliographic Details
Main Author: Osborne, Catherine R. 1979- (Author)
Format: Electronic Article
Language:English
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 2021
In: US catholic historian
Year: 2021, Volume: 39, Issue: 3, Pages: 25-47
IxTheo Classification:KAJ Church history 1914-; recent history
KDB Roman Catholic Church
RC Liturgy
Further subjects:B Inculturation
B Liturgical Arts Society
B Maurice
B Liturgical Arts
B Lavanoux
B Liturgical Movement
B globalism
Online Access: Volltext (lizenzpflichtig)
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Description
Summary:The U.S. journal Liturgical Arts offered readers a glimpse into the art and architecture of the "global church" during the 1950s, when the journal's editor Maurice Lavanoux traveled widely in Asia, Latin America, the Caribbean, and Africa. Lavanoux's long relationships with missionaries significantly shaped the journal's presentation of how to inculturate art and architecture. Conflicting values, however, led the journal to inconsistent judgments. At times it leaned towards an adaptationist approach; at others, it moved towards interpreting inculturation as modernizing. When it came to art, however, Lavanoux wholly favored including art with nonwhite biblical figures in both mission and Western churches. This essay argues that Liturgical Arts is a valuable source for insight into Euro-American views on inculturation immediately prior to Vatican II and the advance of liberation theology.
ISSN:1947-8224
Contains:Enthalten in: US catholic historian
Persistent identifiers:DOI: 10.1353/cht.2021.0016