Practice, Process, and Performance: Shaping a Devotional Habitus in the Margins of Bernard of Clairvaux's "Sermons on the Song of Songs"

Illustrations and annotation in the margins of manuscripts can offer unique insights into the medieval reading experience. This article explores how Douai, Bibliothèque municipale, MS 373, a manuscript containing Bernard of Clairvaux's Sermones super Cantica canticorum, produced and read in lat...

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Detalhes bibliográficos
Autor principal: Smits, Lieke Andrea (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
Verificar disponibilidade: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado em: [2021]
Em: Journal of medieval religious cultures
Ano: 2021, Volume: 47, Número: 1, Páginas: 1-20
Classificações IxTheo:CB Existência cristã
KAE Idade Média Central
KBF Ilhas Britânicas
KCA Ordens e congregações
RE Homilética
Outras palavras-chave:B marginal illustrations
B Hábito
B Performativity
B devotional practice
B Bridal Mysticism
B monastic theology
B reading experience
Acesso em linha: Volltext (doi)
Volltext (lizenzpflichtig)
Descrição
Resumo:Illustrations and annotation in the margins of manuscripts can offer unique insights into the medieval reading experience. This article explores how Douai, Bibliothèque municipale, MS 373, a manuscript containing Bernard of Clairvaux's Sermones super Cantica canticorum, produced and read in late medieval England, facilitates and reflects a performative mode of reading. While a movement from reading to bodily performance is suggested, this article argues that the opposite movement is also encouraged, as part of a nonlinear mode of reading in which images function both as a starting point and as a point of return for devotional practice.
ISSN:2153-9650
Obras secundárias:Enthalten in: Journal of medieval religious cultures
Persistent identifiers:DOI: 10.5325/jmedirelicult.47.1.0001