The Apotheosis of Frida and Ché: Secular Saints and Fetishized Commodities

: This article explores the contradictory positionings of two significant Latin Americans, Ché Guevara and Frida Kahlo, through reflection on their historical, ideological, and folk meanings. Frida and Ché have ceased to be historical figures as their images have become commodified as part of the ra...

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Detalhes bibliográficos
Autor principal: Sanchez, Carleen D. (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Publicado em: University of Saskatchewan [2012]
Em: Journal of religion and popular culture
Ano: 2012, Volume: 24, Número: 2, Páginas: 296-309
Outras palavras-chave:B Ché Guevara
B Frida Kahlo
B Iconography
B Latin American religion
B Commodification
Acesso em linha: Volltext (Resolving-System)
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Descrição
Resumo:: This article explores the contradictory positionings of two significant Latin Americans, Ché Guevara and Frida Kahlo, through reflection on their historical, ideological, and folk meanings. Frida and Ché have ceased to be historical figures as their images have become commodified as part of the rampant consumerism that typifies modern global capitalism. I argue that Ché and Frida have been transformed into secular icons, in particular by the Latin American left, owing largely to their tragic death/lives which reflect the martyrdom of Catholic saints. As pop cause célèbres, consumed by audiences that care little to understand the complexities of their ideologies, desires, and agendas, their images have been appropriated and marketed by the fashion, novelty, and cottage industries. Frida and Ché now function as fetishized commodities used as stylistic elements designed to sell a range of consumer goods, yet remain powerful icons that challenge the hegemony of globalization, patriarchy, and, in the case of Frida, heteronormativity.
ISSN:1703-289X
Obras secundárias:Enthalten in: Journal of religion and popular culture
Persistent identifiers:DOI: 10.3138/jrpc.24.2.296