Women from the Golden legend: female authority in a medieval Castilian sanctoral

Hagiography was one of the most prolific narrative genres in the Middle Ages. Jacobus de Voragine's 'Golden Legend' (c. 1260), the most popular compendium, was translated into every language in Western Europe. In the medieval Iberian peninsula, the number of conserved hagiographic doc...

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Bibliographic Details
Main Author: Gatland, Emma (Author)
Format: Electronic Book
Language:English
Spanish
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WorldCat: WorldCat
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Published: Suffolk Boydell & Brewer 2011.
In:Year: 2011
Standardized Subjects / Keyword chains:B Jacobus, Genua, Erzbischof 1228-1298, Legenda aurea / Female saint / Saint's life
Further subjects:B Christian hagiography
B Christian hagiography Early works to 1800
B Jacobus ; de Voragine ; approximately 1229-1298 ; Legenda aurea
B Women saints Biography
B Christian women saints Biography Early works to 1800
B Christian saints Biography Early works to 1800
B Spanish literature ; To 1500 ; History and criticism
B Women saints ; Biography
B Jacobus,--de Voragine, ca. 1229-1298 Golden legend
B Spanish Literature To 1500 History and criticism
B Jacobus de Voragine (approximately 1229-1298) Legenda aurea
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Parallel Edition:Non-electronic
Print version: 9781855662292
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Summary:Hagiography was one of the most prolific narrative genres in the Middle Ages. Jacobus de Voragine's 'Golden Legend' (c. 1260), the most popular compendium, was translated into every language in Western Europe. In the medieval Iberian peninsula, the number of conserved hagiographic documents dwarfs those belonging to other narrative genres. This book examines one collection of saints' lives, or sanctorals, and the twenty-five female saints witnessed therein. Their lives furnished exemplary models for women inside and outside the Church, and tell stories of maidens tortured by pagan sovereigns, prostitutes, mothers who see their sons martyred, and women who dress as men in order to avoid being married off to the nearest suitor. This study challenges an understanding of these women as passive recipients of social and spiritual influence by re-situating female authority within the context of vision, language, and performativity. Included in the study are transcriptions of twenty-two previously unedited lives. Emma Gatland is a Leverhulme Early Career Fellow, University of Cambridge.
Vision -- Language -- Performativity -- Conclusion: the sacred and the social
Item Description:Title from publisher's bibliographic system (viewed on 02 Oct 2015)
ISBN:1846159989