The Comic Frame of Mark’s Passion
Abstract This article uses narrative criticism and a study of the word neaniskos in Greek culture to argue that the Gethsemanic young man and the young man in Jesus’ open tomb are linked by comedy. It demonstrates that the naked young man pericope utilizes comic imitation and the word neaniskos to c...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2021
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| In: |
Horizons in biblical theology
Year: 2021, Volume: 43, Issue: 1, Pages: 23-50 |
| Standardized Subjects / Keyword chains: | B
Bible. Markusevangelium 14,51-52
/ Bible. Markusevangelium 16,5
/ Young man (Motif)
/ Comedy
/ Greek language
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| IxTheo Classification: | HC New Testament |
| Further subjects: | B
Mark 14:51–52
B young man B Television comedies B neaniskos B Mark 16:5 B Military B Gymnastics |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Abstract This article uses narrative criticism and a study of the word neaniskos in Greek culture to argue that the Gethsemanic young man and the young man in Jesus’ open tomb are linked by comedy. It demonstrates that the naked young man pericope utilizes comic imitation and the word neaniskos to connote comic behavior. With the naked young man as a model, the article proceeds to show that the speech of the messenger in the open tomb is comedy vis-à-vis the narrative of the context. This interpretation has the advantages of explaining the ill-fitting interruption of the naked young man scene in Gethsemane, of making sense of the abrupt ending of the Gospel of Mark, and of fitting the use of the word neaniskos in the Gospel of Mark to a connotation used in classical and Hellenistic Greek culture. |
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| ISSN: | 1871-2207 |
| Contains: | Enthalten in: Horizons in biblical theology
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| Persistent identifiers: | DOI: 10.1163/18712207-12341421 |