Goodbye Christ?: Christianity, masculinity, and the new Negro Renaissance

"This book discusses the role of religion, or more specifically the shunning of a predominant white view of religion for a more independent black religious voice, in the writings of authors active during the Harlem Renaissance. Powers discusses the work of Du Bois, Hurston, Larsen, Toomer, and...

Πλήρης περιγραφή

Αποθηκεύτηκε σε:  
Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Powers, Peter Kerry 1959- (Συγγραφέας)
Τύπος μέσου: Εκτύπωση Βιβλίο
Γλώσσα:Αγγλικά
Υπηρεσία παραγγελιών Subito: Παραγγείλετε τώρα.
Έλεγχος διαθεσιμότητας: HBZ Gateway
WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Έκδοση: Knoxville The University of Tennessee Press [2018]
Στο/Στη:Έτος: 2018
Έκδοση:First edition
Τυποποιημένες (ακολουθίες) λέξεων-κλειδιών:B USA / Μαύρη φυλή (μοτίβο) / Λογοτεχνία (μοτιβο) / Αναγέννηση του Χάρλεμ / Χριστιανισμός (μοτίβο) (Μοτίβο) / Εθνοτικές σχέσεις (Μοτίβο) / Εθνοτική ταυτότητα (μοτίβο) (Μοτίβο) / Αρρενωπότητα (μοτίβο) (Μοτίβο) / Ιστορία 1920-1930
Άλλες λέξεις-κλειδιά:B Masculinity in literature
B American fiction African American authors History and criticism
B Religion in literature
B African Americans Θρησκεία
B American fiction 20th century History and criticism
B Christianity and literature (United States) History 20th century
B Christianity in literature
B Harlem Renaissance
B Race relations in literature
B Religion and literature (United States) History 20th century
Περιγραφή
Σύνοψη:"This book discusses the role of religion, or more specifically the shunning of a predominant white view of religion for a more independent black religious voice, in the writings of authors active during the Harlem Renaissance. Powers discusses the work of Du Bois, Hurston, Larsen, Toomer, and others and contends that religious contexts shaped the rhetoric and imagination of African American writers during the Harlem Renaissance, and, to a degree, dispelled previous religious notions of masculinity for a more secular view" --
Introduction. Intimate Distance-Faith and Doubts of the Cultural Fathers -- Chapter 1. "Old as Religion, as Delphi and Endor": Secular Patrimony in Souls of Black Folk -- Chapter 2. "He Didn't Come to Help Me": Folk Paternity and Failed Conversions in Langston Hughes -- Chapter 3. "Artificial Men": Anti-intellectualism, Christianity, and Cultural Leadership -- Chapter 4. "Leave All That Littleness and Look Higher": The Educated Man as Hero and Martyr -- Chapter 5. "That Good Man, That Godly Man": Abusive Ministers and Educated Lovers in Oscar Micheaux and Nella Larsen -- Chapter 6. "A Polished Man of Strength and Power": Race, Body, and Spirit in the Harlem Renaissance -- Chapter 7. "The Singing Man Who Must Be Reckoned With": Private Desire and Public Responsibility in the Poetry of Countee Cullen -- Chapter 8. "Gods of Physical Violence, Stopping at Nothing": Masculinity, Physicality, and Creativity in Zora Neale Hurston -- Conclusion. Goodbye Christ? Christianity and African American Literary History
Περιγραφή τεκμηρίου:Literaturverzeichnis: Seite 219-231
Φυσική περιγραφή:x, 236 Seiten, Notenbeispiele
ISBN:1621903737