Shakespeare's Big Men: tragedy and the problem of resentment

Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social...

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Bibliographic Details
Subtitles:Big men
Main Author: Van Oort, Richard (Author)
Format: Electronic Book
Language:English
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Published: Toronto Buffalo London University of Toronto Press [2016]
In:Year: 2016
Reviews:[Rezension von: Van Oort, Richard, Shakespeare's Big Men : tragedy and the problem of resentment] (2017) (Bartlett, Andrew, 1977 -)
Standardized Subjects / Keyword chains:B Shakespeare, William 1564-1616, Julius Caesar / Animosity / Tragedy
B Shakespeare, William 1564-1616, Hamlet
B Shakespeare, William 1564-1616, Othello (Game)
B Shakespeare, William 1564-1616, Macbeth
B Shakespeare, William 1564-1616, Coriolanus
Further subjects:B Desire in literature
B Evil in literature
B Shakespeare, William (1564-1616) Julius Caesar
B Resentment in literature
B Literature and anthropology
B Men in literature
B Anthropology in literature
B Shakespeare, William (1564-1616) Hamlet
B Shakespeare, William (1564-1616) Othello (Game)
B Shakespeare, William (1564-1616) Coriolanus
B Protagonists (Persons) in literature
B Electronic books
B Guilt in literature
B Shakespeare, William (1564-1616) Macbeth
Online Access: Volltext (Verlag)
Volltext (lizenzpflichtig)
Parallel Edition:Non-electronic
Description
Summary:Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social function of tragedy: to defer our resentment against the "big men" who dominate society by letting us first identify with the tragic protagonist and his resentment, then allowing us to repudiate the protagonist's resentful rage and achieve theatrical catharsis. Drawing on this hypothesis, Richard van Oort offers inspired readings of Shakespeare's plays and their representations of desire, resentment, guilt, and evil. His analysis revives the universal spirit in Shakespearean criticism, illustrating how the plays can serve as a way to understand the ethical dilemma of resentment and discover within ourselves the nature of the human experience."--
Item Description:Includes bibliographical references and index
Physical Description:1 Online-Ressource
ISBN:1442622164