Shakespeare's Big Men: tragedy and the problem of resentment

Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social...

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Détails bibliographiques
Auteur principal: Van Oort, Richard (Auteur)
Type de support: Imprimé Livre
Langue:Anglais
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publié: Toronto Buffalo London University of Toronto Press [2016]
Dans:Année: 2016
Recensions:[Rezension von: Van Oort, Richard, Shakespeare's Big Men : tragedy and the problem of resentment] (2017) (Bartlett, Andrew, 1977 -)
Sujets / Chaînes de mots-clés standardisés:B Shakespeare, William 1564-1616, Julius Caesar / Animosité / Tragédie
B Shakespeare, William 1564-1616, Hamlet
B Shakespeare, William 1564-1616, Othello (jeu)
B Shakespeare, William 1564-1616, Macbeth
B Shakespeare, William 1564-1616, Coriolanus
B Girard, René 1923-2015
Sujets non-standardisés:B Shakespeare, William (1564-1616) Othello (jeu)
B Desire in literature
B Shakespeare, William (1564-1616) Julius Caesar
B Literature and anthropology
B Resentment in literature
B Anthropology in literature
B Men in literature
B Good and evil in literature
B Shakespeare, William (1564-1616) Hamlet
B Shakespeare, William (1564-1616) Coriolanus
B Protagonists (Persons) in literature
B Guilt in literature
B Shakespeare, William (1564-1616) Macbeth
Accès en ligne: Inhaltsbeschreibung
Édition parallèle:Électronique
Électronique
Électronique

MARC

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520 |a Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social function of tragedy: to defer our resentment against the "big men" who dominate society by letting us first identify with the tragic protagonist and his resentment, then allowing us to repudiate the protagonist's resentful rage and achieve theatrical catharsis. Drawing on this hypothesis, Richard van Oort offers inspired readings of Shakespeare's plays and their representations of desire, resentment, guilt, and evil. His analysis revives the universal spirit in Shakespearean criticism, illustrating how the plays can serve as a way to understand the ethical dilemma of resentment and discover within ourselves the nature of the human experience."-- 
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