Christian responses to Roman art and architecture: the second-century church amid the spaces of empire
Introduction -- Christian apologists and the second-century built environment -- Bringing together literature and archaeological remains -- Framing the question, framing the world -- What is an apology? : Christian apologies and the so-called Second Sophistic -- What does it mean to apologize? -- Ad...
MARC
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| 100 | 1 | |0 (DE-588)139964932 |0 (DE-627)614739195 |0 (DE-576)187697698 |4 aut |a Nasrallah, Laura Salah |d 1969- | |
| 109 | |a Nasrallah, Laura Salah 1969- |a Nasrallah, Laura 1969- | ||
| 245 | 1 | 0 | |a Christian responses to Roman art and architecture |b the second-century church amid the spaces of empire |c Laura Salah Nasrallah |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Cambridge [u.a.] |b Cambridge Univ. Press |c 2010 | |
| 300 | |a XVI, 334 S. |b Ill., Kt. | ||
| 336 | |a Text |b txt |2 rdacontent | ||
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| 500 | |a Includes bibliographical references (p. 303 - 322) and indexes | ||
| 505 | 8 | |a Introduction -- Christian apologists and the second-century built environment -- Bringing together literature and archaeological remains -- Framing the question, framing the world -- What is an apology? : Christian apologies and the so-called Second Sophistic -- What does it mean to apologize? -- Addressing the Roman emperors, being Greek -- Defining the so-called Second Sophistic -- Traveling to Olympia : material manifestations of Greek Paideia and imperial address -- The Fountain of Regilla and Herodes Atticus -- Apologetics and christianness -- What is the space of the Roman Empire? : mapping, bodies, and knowledge in the Roman world -- Traveling men : Lucian, Tatian, and Justin -- Lucian -- Tatian -- Justin -- The Sebasteion in Aphrodisias -- Into the cities -- What informs the geographical imagination? : the Acts of the Apostles and Greek cities under Rome -- Placing Acts -- The Panhellenion -- Hadrian, ethnicity, and true religion -- What has Athens to do with Rome? -- Traveling back to Acts -- Acts 2 -- Paul in Lystra and Athens : confusing humans and gods -- Paul in Thessalonikē and Philippi : Roman sedition against Rome? -- What is justice? what is piety? what is Paideia : Justin, the forum of Trajan in Rome, and a crisis of mimēsis -- The column of Trajan -- Justin's apologies -- Names and deeds : Justin introduces himself, the emperors, and the mock court -- On the name -- The name and speech-acts -- A higher court -- Mimēsis, images, and daimones -- Sameness and difference -- Justice, piety, and Paideia in the Forum of Trajan -- The forum's surroundings -- Moving through the forum of Trajan -- War and the "temple of peace" -- Human bodies and the image(s) of god(s) -- How do you know God? : Athenagoras on names and images -- "This golden one, this Herakles, this God" : Commodus and Herakles -- The ambivalence of Herakles -- Commodus as Herakles -- A proliferation of signs -- Athenagoras -- Athenagoras's argument : the proemium -- Grammar and theology -- Atheism and piety "in the presence of philosopher-kings" -- The material gods -- What do we learn when we look? (part I) images, desire, and Tatian's to the Greeks -- What an image does -- The origins of images -- What you see and what you get : theorizing vision -- Images and the theological imagination : Cicero, Dio, and Maximus of Tyre -- Tatian, spectacle, and connoisseurship -- Tatian at the theater -- Tatian's grand tour -- What do we learn when we look? (part II) Aphrodite and Clement of Alexandria -- The Knidian Aphrodite and her afterlife -- Aphrodite at Knidos -- Pseudo-Lucian and the Knidia -- The Knidia and the ancient gaze -- The Knidia and Roman portraits -- Clement of Alexandria -- Alexandria, the mad, hybrid, spectacular city -- Introducing clement's Exhortation -- "They say a girl loved an image" : The exhortation on statues, piety, and desire -- Clement on the Knidian Aphrodite -- Stories of the gods : the pornographic Venus and Mars. | |
| 520 | |a Introduction -- Christian apologists and the second-century built environment -- Bringing together literature and archaeological remains -- Framing the question, framing the world -- What is an apology? : Christian apologies and the so-called Second Sophistic -- What does it mean to apologize? -- Addressing the Roman emperors, being Greek -- Defining the so-called Second Sophistic -- Traveling to Olympia : material manifestations of Greek Paideia and imperial address -- The Fountain of Regilla and Herodes Atticus -- Apologetics and christianness -- What is the space of the Roman Empire? : mapping, bodies, and knowledge in the Roman world -- Traveling men : Lucian, Tatian, and Justin -- Lucian -- Tatian -- Justin -- The Sebasteion in Aphrodisias -- Into the cities -- What informs the geographical imagination? : the Acts of the Apostles and Greek cities under Rome -- Placing Acts -- The Panhellenion -- Hadrian, ethnicity, and true religion -- What has Athens to do with Rome? -- Traveling back to Acts -- Acts 2 -- Paul in Lystra and Athens : confusing humans and gods -- Paul in Thessalonikē and Philippi : Roman sedition against Rome? -- What is justice? what is piety? what is Paideia : Justin, the forum of Trajan in Rome, and a crisis of mimēsis -- The column of Trajan -- Justin's apologies -- Names and deeds : Justin introduces himself, the emperors, and the mock court -- On the name -- The name and speech-acts -- A higher court -- Mimēsis, images, and daimones -- Sameness and difference -- Justice, piety, and Paideia in the Forum of Trajan -- The forum's surroundings -- Moving through the forum of Trajan -- War and the "temple of peace" -- Human bodies and the image(s) of god(s) -- How do you know God? : Athenagoras on names and images -- "This golden one, this Herakles, this God" : Commodus and Herakles -- The ambivalence of Herakles -- Commodus as Herakles -- A proliferation of signs -- Athenagoras -- Athenagoras's argument : the proemium -- Grammar and theology -- Atheism and piety "in the presence of philosopher-kings" -- The material gods -- What do we learn when we look? (part I) images, desire, and Tatian's to the Greeks -- What an image does -- The origins of images -- What you see and what you get : theorizing vision -- Images and the theological imagination : Cicero, Dio, and Maximus of Tyre -- Tatian, spectacle, and connoisseurship -- Tatian at the theater -- Tatian's grand tour -- What do we learn when we look? (part II) Aphrodite and Clement of Alexandria -- The Knidian Aphrodite and her afterlife -- Aphrodite at Knidos -- Pseudo-Lucian and the Knidia -- The Knidia and the ancient gaze -- The Knidia and Roman portraits -- Clement of Alexandria -- Alexandria, the mad, hybrid, spectacular city -- Introducing clement's Exhortation -- "They say a girl loved an image" : The exhortation on statues, piety, and desire -- Clement on the Knidian Aphrodite -- Stories of the gods : the pornographic Venus and Mars | ||
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| 787 | 0 | 8 | |i Rezensiert in |a Paget, James Carleton, 1966 - |t Christian responses to Roman art and architecture. The second-century Church amid the spaces of empire. By Laura Salah Nasrallah. Pp. xvi+334 incl. 32 figs. New York–Cambridge: Cambridge University Press, 2010. 95. 978 0 521 76652 4 |d 2011 |w (DE-627)178477037X |
| 787 | 0 | 8 | |i Rezensiert in |a Lössl, Josef, 1964 - |t Christian Responses to Roman Art and Architecture: The Second-Century Church amid the Spaces of Empire. By Laura Salah Nasrallah |d 2010 |w (DE-627)1783727551 |
| 787 | 0 | 8 | |i Rezensiert in |a Greschat, Katharina, 1965 - |t Christian Responses to Roman Art and Architecture. The Second-Century Church Amid the Spaces of Empire |d 2010 |w (DE-627)1797962167 |
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