Ingmar Bergman: The Filmmaker as Philosopher
Following two introductory sections which deal with the search for meaning and the model of film as a form of probing, I argue that Bergman deals with a number of important philosophical issues within his film corpus. A summary account of the vision which emerges from this corpus is sketched, follow...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
1987
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| In: |
Philosophy & theology
Year: 1987, Volume: 2, Issue: 1, Pages: 44-56 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Following two introductory sections which deal with the search for meaning and the model of film as a form of probing, I argue that Bergman deals with a number of important philosophical issues within his film corpus. A summary account of the vision which emerges from this corpus is sketched, followed by an analysis of the central role of the artist in society as Bergman conceives it. |
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| ISSN: | 2153-828X |
| Contains: | Enthalten in: Philosophy & theology
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| Persistent identifiers: | DOI: 10.5840/philtheol19872118 |
