Baptism and the interpretation of early Quistian art

The aim of this article is to stress the necessity of interpreting early Christian art in its context and with due respect to its deep structure or primary notion. It often happens that scholars base their arguments on the superficial features of a work of art, but they fail to understand the notion...

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Bibliographic Details
Main Author: Stander, Hennie 1953- (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 1987
In: Hervormde teologiese studies
Year: 1987, Volume: 43, Issue: 3, Pages: 316-324
Further subjects:B Philosophers
B Theology
B Practical Theology
B Ministers of Religion
B Ancient Semitic and Classical Languages
B Aspects of Religious Studies
B Theologians
B Netherdutch Reformed Church
B Scholars
B Sociology and Ethics
B Philosophy
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Summary:The aim of this article is to stress the necessity of interpreting early Christian art in its context and with due respect to its deep structure or primary notion. It often happens that scholars base their arguments on the superficial features of a work of art, but they fail to understand the notion which these features convey. This will be illustrated by examples of baptismal scenes. It will be shown how these scenes of art are misused and misinterpreted by modem scholars because the above-mentioned principles are disregarded.
ISSN:0259-9422
Contains:Enthalten in: Hervormde teologiese studies
Persistent identifiers:DOI: 10.4102/hts.v43i3.2249