Les cobertes del missal de Sant Ruf de la catedral de Tortosa, una obra d'orfebreria singular de finals del segle XII
In this paper we discuss the covers of the St Rufus Missal of Tortosa Cathedral (ms. 11) in order to determine their filiation and dating. To thisend, we analyse the most significant features of the two representations, the Maiestas Domini and the Crucifixion, comparing them with metal works (book c...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | Catalan |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2019
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| In: |
Miscel·lània litúrgica catalana
Year: 2019, Volume: 27, Pages: 297-330 |
| Online Access: |
Volltext (kostenfrei) |
| Summary: | In this paper we discuss the covers of the St Rufus Missal of Tortosa Cathedral (ms. 11) in order to determine their filiation and dating. To thisend, we analyse the most significant features of the two representations, the Maiestas Domini and the Crucifixion, comparing them with metal works (book covers and others) from Limoges, the Meuse region, the Silos workshop and the Catalan workshops. We analyse the coincidences and discrepancies in relation to the works of these workshops. The conclusion is reached that it is an unicum, the work of an artist who was directly or indirectly familiar with those workshops and produced a completely personal creation. Our hypothesis is that he was a foreign master who was working in Catalonia at the end of the 12th century. En aquest article estudiem les cobertes del Missal de Sant Ruf de la catedral de Tortosa (ms. 11) per determinar la seva filiació i datació. Analitzem els trets més significatius de les dues representacions, la Maiestas Domini i la Crucifixió, i els comparem amb obres de metall (cobertes i altres) de Llemotges, de la regió del Mosa, del taller català i de Silos. Analitzades les concomitàncies i discrepàncies amb les produccions d'aquests tallers, les conclusions a les quals hem arribat són que es tracta d'un unicum, obra d'un artífex que coneix indirectament o directament els tallers esmentats i que en fa una creació absolutament personal. Ens posicionem per un mestre forà que treballa a Catalunya cap a finals del segle XII. |
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| ISSN: | 2013-4010 |
| Contains: | Enthalten in: Miscel·lània litúrgica catalana
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