Job le juste, modèle de patience: au sujet du cycle de saint Antoine dans l'atrium de Sainte-Marie-Antique à Rome

In the atrium of the church of Santa Maria Antica in Rome, there is a 10th-century cycle of paintings dedicated to the life of Saint Anthony. The frescoes are badly damaged, but a figure with a naked torso can still be clearly seen at the bottom left of a temptation scene, while his legs are clearly...

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Detalles Bibliográficos
Autor principal: Luisier, Philippe 1957- (Autor)
Tipo de documento: Print Artículo
Lenguaje:Francés
Verificar disponibilidad: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado: 2024
En: Orientalia christiana periodica
Año: 2024, Volumen: 90, Número: 2, Páginas: 365-383
(Cadenas de) Palabra clave estándar:B Santa Maria Antiqua (Roma) / Pintura mural / Antonius, Abbas 251-356 / Ijob, Personaje bíblico / Historia 900-1000
Clasificaciones IxTheo:CE Arte cristiana
HB Antiguo Testamento
KAE Edad Media Central
KBJ Italia
KCA Órdenes y congregaciones
Descripción
Sumario:In the atrium of the church of Santa Maria Antica in Rome, there is a 10th-century cycle of paintings dedicated to the life of Saint Anthony. The frescoes are badly damaged, but a figure with a naked torso can still be clearly seen at the bottom left of a temptation scene, while his legs are clearly stretched out on the floor. This figure has been interpreted as Anthony, but we propose to recognise Job as the righteous man of the Old Testament, a model of patience and abandonment to the divine will. Apart from the Life of Anthony, the only homiletical and liturgical texts that associate the Father of the Monks with Job, come from the East, from Jerusalem to be precise: we may therefore ask ourselves how this Eastern tradition reached Rome at this time.
ISSN:0030-5375
Obras secundarias:Enthalten in: Orientalia christiana periodica