Job le juste, modèle de patience: au sujet du cycle de saint Antoine dans l'atrium de Sainte-Marie-Antique à Rome

In the atrium of the church of Santa Maria Antica in Rome, there is a 10th-century cycle of paintings dedicated to the life of Saint Anthony. The frescoes are badly damaged, but a figure with a naked torso can still be clearly seen at the bottom left of a temptation scene, while his legs are clearly...

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Bibliographic Details
Main Author: Luisier, Philippe 1957- (Author)
Format: Print Article
Language:French
Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 2024
In: Orientalia christiana periodica
Year: 2024, Volume: 90, Issue: 2, Pages: 365-383
Standardized Subjects / Keyword chains:B Santa Maria Antiqua (Vatican Palace) / Mural painting / Antonius, Abbas 251-356 / Job Biblical character / History 900-1000
IxTheo Classification:CE Christian art
HB Old Testament
KAE Church history 900-1300; high Middle Ages
KBJ Italy
KCA Monasticism; religious orders
Description
Summary:In the atrium of the church of Santa Maria Antica in Rome, there is a 10th-century cycle of paintings dedicated to the life of Saint Anthony. The frescoes are badly damaged, but a figure with a naked torso can still be clearly seen at the bottom left of a temptation scene, while his legs are clearly stretched out on the floor. This figure has been interpreted as Anthony, but we propose to recognise Job as the righteous man of the Old Testament, a model of patience and abandonment to the divine will. Apart from the Life of Anthony, the only homiletical and liturgical texts that associate the Father of the Monks with Job, come from the East, from Jerusalem to be precise: we may therefore ask ourselves how this Eastern tradition reached Rome at this time.
ISSN:0030-5375
Contains:Enthalten in: Orientalia christiana periodica