Przedstawienia Ducha Świętego na ikonach bizantyjskich i ruskich. Kanon ikonograficzny a dogmat teologiczny
The article describes how Christian art depicted in the Third Person of the Trinity. It was quide difficult, because the Holy Spirit could not appear as a man. Nevertheless, it can be concluded that the hidden remains an icon of the Holy Spirit, Mary, as a person completely penetrated him. On the th...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Polonais |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
2012
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| Dans: |
Analecta Cracoviensia
Année: 2012, Volume: 44, Pages: 57-71 |
| Sujets non-standardisés: | B
Holy Spirit
B Pentecost B Dogme B Christianity B Icon |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | The article describes how Christian art depicted in the Third Person of the Trinity. It was quide difficult, because the Holy Spirit could not appear as a man. Nevertheless, it can be concluded that the hidden remains an icon of the Holy Spirit, Mary, as a person completely penetrated him. On the third hypostasis of Marian icons also appeared as a dove further (the icon Annunciation), or as a light-gold.Christ’s presence on the perceptions of the Holy Spirit has been emphasized by showing the radius, or a small circle (the icon of Christ’s birth). He revealed himself as a dove hovering (the icon of the Baptism of Christ), or as light (the icon of the Transfiguration).However the icon showing a scene "Pentecost", he reveals himself tongues of fire descending figure, which rest upon the Apostles. |
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| ISSN: | 2391-6842 |
| Contient: | Enthalten in: Analecta Cracoviensia
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| Persistent identifiers: | DOI: 10.15633/acr.4 |
