Przedstawienia Ducha Świętego na ikonach bizantyjskich i ruskich. Kanon ikonograficzny a dogmat teologiczny
The article describes how Christian art depicted in the Third Person of the Trinity. It was quide difficult, because the Holy Spirit could not appear as a man. Nevertheless, it can be concluded that the hidden remains an icon of the Holy Spirit, Mary, as a person completely penetrated him. On the th...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | Polish |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2012
|
| In: |
Analecta Cracoviensia
Year: 2012, Volume: 44, Pages: 57-71 |
| Further subjects: | B
Holy Spirit
B Pentecost B Doctrine B Christianity B Icon |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | The article describes how Christian art depicted in the Third Person of the Trinity. It was quide difficult, because the Holy Spirit could not appear as a man. Nevertheless, it can be concluded that the hidden remains an icon of the Holy Spirit, Mary, as a person completely penetrated him. On the third hypostasis of Marian icons also appeared as a dove further (the icon Annunciation), or as a light-gold.Christ’s presence on the perceptions of the Holy Spirit has been emphasized by showing the radius, or a small circle (the icon of Christ’s birth). He revealed himself as a dove hovering (the icon of the Baptism of Christ), or as light (the icon of the Transfiguration).However the icon showing a scene "Pentecost", he reveals himself tongues of fire descending figure, which rest upon the Apostles. |
|---|---|
| ISSN: | 2391-6842 |
| Contains: | Enthalten in: Analecta Cracoviensia
|
| Persistent identifiers: | DOI: 10.15633/acr.4 |