Cinematic Illustrations in Christian Theology
Three recent films, The Sixth Sense, The Matrix, and American Beauty, richly illustrate numerous classical Christian doctrines, including themes in ethics, epistemology, metaphysics, and aesthetics. The Sixth Sense offers powerful metaphors for original sin and conversion. The Matrix portrays an Ecc...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2002
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| In: |
The journal of religion and film
Year: 2002, Volume: 6, Issue: 2 |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | Three recent films, The Sixth Sense, The Matrix, and American Beauty, richly illustrate numerous classical Christian doctrines, including themes in ethics, epistemology, metaphysics, and aesthetics. The Sixth Sense offers powerful metaphors for original sin and conversion. The Matrix portrays an Ecclesiastes-like linkage between wisdom and sorrow and features a potential model for a strong view of divine providence. And belief in strong providence is actually endorsed in American Beauty in the form of a Leibnizian aesthetic theodicy. Whether consciously or not, the makers of these films develop themes that have significant potential for illuminating key elements of Christian theology. |
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| ISSN: | 1092-1311 |
| Contains: | Enthalten in: The journal of religion and film
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| Persistent identifiers: | DOI: 10.32873/uno.dc.jrf.06.02.04 |
