Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion
This essay examines the depiction of religion, race, and ethnicity in four films: The Mummy, Stargate, The Ten Commandments, and Prince of Egypt. Each film - explicitly or implicitly, deliberately or not - uses ancient Egyptian religion as a foil to dramatize American concerns about race and ethnici...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2003
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| In: |
The journal of religion and film
Year: 2003, Volume: 7, Issue: 2 |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | This essay examines the depiction of religion, race, and ethnicity in four films: The Mummy, Stargate, The Ten Commandments, and Prince of Egypt. Each film - explicitly or implicitly, deliberately or not - uses ancient Egyptian religion as a foil to dramatize American concerns about race and ethnicity. The foil is the mysterious, and often false, religiosity of an often Orientalized religious and ethnic "other." |
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| ISSN: | 1092-1311 |
| Contains: | Enthalten in: The journal of religion and film
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| Persistent identifiers: | DOI: 10.32873/uno.dc.jrf.07.02.01 |
