Chronicle of Women: A Hongkong Story

In this paper I offer a feminist analysis of a theatrical production recently staged in Hongkong. I suggest that through a performative strategy of negotiating between compliance and resistance to normative constructions of Chinese/Hongkong womanhood, the show under consideration succeeds in giving...

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Bibliographic Details
Main Author: Lilley, Rozanna (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 1994
In: The Australian journal of anthropology
Year: 1994, Volume: 5, Issue: 3, Pages: 86-112
Online Access: Volltext (lizenzpflichtig)
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Summary:In this paper I offer a feminist analysis of a theatrical production recently staged in Hongkong. I suggest that through a performative strategy of negotiating between compliance and resistance to normative constructions of Chinese/Hongkong womanhood, the show under consideration succeeds in giving us a highly nuanced representation of gendered colonial subjects. Many of these subtleties were erased by audience interpretations of the performance as an allegorical account of Hongkong/China relations framed by the issue of sovereignty transferral in 1997. Instead of seeing this as a negative process, I argue that critiques of patriarchy and political hegemony can and must productively interrupt one another in contemporary Hongkong.
ISSN:1757-6547
Contains:Enthalten in: The Australian journal of anthropology
Persistent identifiers:DOI: 10.1111/j.1835-9310.1994.tb00326.x