Las víctimas en el teatro de Miguel Hernández: una lectura antropológica
The anthropological approach understands the victim not only as a semiotic element that would allow a hermeneutic original theatrical, but as an anthropological function that connects directly Miguel Hernández works with some anthropological structures that underlie all human discourse, including hi...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2017
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| In: | Enthalten in: Revista interdisciplinar de Teoría Mimética. Xiphias Gladius (ISSN 2531-0054) (2017), Seite 129-138 |
| Standardized Subjects / Keyword chains: | B
Girard, René 1923-2015
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| Further subjects: | B
Guerra Civil española
B Víctima sacrificial B Teatro español |
| Online Access: |
Volltext (lizenzpflichtig) |
| Parallel Edition: | Electronic
|
| Summary: | The anthropological approach understands the victim not only as a semiotic element that would allow a hermeneutic original theatrical, but as an anthropological function that connects directly Miguel Hernández works with some anthropological structures that underlie all human discourse, including his theater. A meaning of deaths’ role would be achieved as sacrificial or rituals deaths in some of his works, enlighten the meaning of some of his conclusions and, especially, on the value that the poet from Alicante will gives to the presence -increasingly intense- of the quasireligious violence in his work. The result will allow us to strengthen a unified vision of the Hernandian corpus, tracing the evolution of the motives and springs that the author uses. |
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| Persistent identifiers: | DOI: 10.32466/eufv-xg.2017.0.269.129-138 |
