Theater, War, and Memory in Crisis: Vichy, Algeria, the Aftermath

John Ireland's Theater, War, and Memory in Crisis explores how French dramatists have engaged with two traumatic events that continue to haunt France: the German occupation and Vichy government from 1940-1944, and the Algerian War from 1954-1962. Throughout the twentieth century, French cultura...

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Bibliographic Details
Main Author: Ireland, John (Author)
Format: Electronic Book
Language:English
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: Ann Arbor University of Michigan Press 2025
In:Year: 2025
Edition:1st ed.
Series/Journal:Theater: Theory/Text/Performance Series
Standardized Subjects / Keyword chains:B French language / Drama / Vichy France (motif) (Motif) / Orchestration (Motif) / Algerian Revolution (motif) (Motif)
Further subjects:B Europe / France / HISTORY
B World War, 1939-1945 (France) Theater and the war
B Guerre mondiale, 1939-1945 - France - Théâtre et guerre
B French drama 20th century History and criticism
B Drama
B Algeria History Revolution, 1954-1962 Drama History and criticism
B Theater / History & Criticism / PERFORMING ARTS
B Theater (France) History 20th century
B Theater (France) (Vichy) History 20th century
B Théâtre français - 20e siècle - Histoire et critique
B World War, 1939-1945 (France) (Vichy) Theater and the war
B Théâtre - France - Histoire - 20e siècle
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Parallel Edition:Non-electronic
Description
Summary:John Ireland's Theater, War, and Memory in Crisis explores how French dramatists have engaged with two traumatic events that continue to haunt France: the German occupation and Vichy government from 1940-1944, and the Algerian War from 1954-1962. Throughout the twentieth century, French cultural anthropologists, classicists, and social scientists repeatedly revisited links between archaic religious ritual, the practice of sacrifice, and Greek tragedy as attempts to understand, regulate, and mitigate the violence and emotional scars of war. Ireland argues that contemporary French dramatists dealing with war trauma and contested memory were influenced by aspects of this research that foregrounded the core virtues of oral culture: presence and the present, the "here and now" that also regulate theatrical performance. That connection to the present encouraged them to make "live" historiographical contributions to reverberating, unresolved history, but also to revive perennial therapeutic values of oral culture that evolved in ancient Greece. Theater, War, and Memory in Crisis brings original readings of canonical authors like Jean-Paul Sartre, Jean Genet, Bernard-Marie Koltès, and Kateb Yacine into dialogue with non-canonical dramatists such as Armand Gatti, Liliane Atlan, and Noureddine Aba. Ireland's examination is guided by one central question: can theater take on issues of violence, war trauma, and conflicted memory in a different way from archival forms of culture such as memoirs, narrative fiction, and film?
Item Description:Description based on publisher supplied metadata and other sources
Physical Description:1 online resource (385 pages)
ISBN:978-0-472-90489-1