Spirituality, Art, and Memory in Installations by John Hitchcock and Eric-Paul Riege
The installation artworks of John Hitchcock and Eric-Paul Riege exemplify the intersection of art, memory, and spirituality in contemporary Indigenous arts, functioning as acts of resilience and survival. Riege’s immersive installations, which incorporate traditional Diné weaving and performance, tr...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2025
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| In: |
Religion and the arts
Year: 2025, Volume: 29, Issue: 1/2, Pages: 127-143 |
| Further subjects: | B
survivance
B Spirituality B Contemporary Art B Indigenous B cultural preservation B American Indian B art as resistance B Installation art B Ancestors |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | The installation artworks of John Hitchcock and Eric-Paul Riege exemplify the intersection of art, memory, and spirituality in contemporary Indigenous arts, functioning as acts of resilience and survival. Riege’s immersive installations, which incorporate traditional Diné weaving and performance, transform galleries into spaces of ancestral memory and spiritual reflection while critiquing historical representations of Indigenous identities. Similarly, Hitchcock’s multi-media installations use traditional Comanche symbols alongside contemporary elements to explore themes of historical trauma and cultural resilience. Together, their work underscores the vital role of art in preserving and reinterpreting Indigenous identities, challenging static perceptions, and emphasizing the dynamic nature of contemporary Indigenous art. |
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| ISSN: | 1568-5292 |
| Contains: | Enthalten in: Religion and the arts
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| Persistent identifiers: | DOI: 10.1163/15685292-02901003 |
