David Renatus Nitschmann (1748-1777): Lebensbild eines „Herrnhuters“ als Zeichner in Diensten der Akademie der Wissenschaften zu St. Petersburg
David Renatus Nitschmann (1748-1778), who came from a family of Moravian exiles, had a remarkable gift for drawing. The Moravians did their best to develop his artistic abilities: after a decent schooling, which included lessons in drawing, he was given the opportunity' to observe and work with...
| Autor principal: | |
|---|---|
| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Alemão |
| Verificar disponibilidade: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado em: |
[2018]
|
| Em: |
Unitas Fratrum
Ano: 2018, Volume: 77, Páginas: 157-168 |
| Classificações IxTheo: | CD Cristianismo ; Cultura KAH Idade Moderna KBK Europa oriental KDG Igreja livre |
| Outras palavras-chave: | B
Moravian Church
B Moravians B PALLAS, P. S B Artists B Nitschmann, David B Exiles B GMELIN, Samuel Gottlieb |
| Acesso em linha: |
Volltext (kostenfrei) |
| Parallel Edition: | Não eletrônico
|
| Resumo: | David Renatus Nitschmann (1748-1778), who came from a family of Moravian exiles, had a remarkable gift for drawing. The Moravians did their best to develop his artistic abilities: after a decent schooling, which included lessons in drawing, he was given the opportunity' to observe and work with artists and artistic craftsmen, among them David Röntgen in Neuwied. His secular mindset was often a cause of irritation, however. The final attempt to retain him within the Moravians' ranks, under the oversight of his father, failed in Sarepta on the Volga. Thus, unlike many of his relatives, he did not find his spiritual home and life's work within the Moravian Church. Instead he entered the service of the St Petersburg professors S. G. Gmelin and P. S. Pallas, who visited Sarepta, as a documentary' draughtsman. He died in St Petersburg aged only thirty. Many of his natural history and ethnographic drawings served until the beginning of the nineteenth century' as templates for the elaborate illustrations in the works of von Gmelin and Pallas. With his depictions, which rested on precise observation, D. R. Nitschmann, together with his colleagues, made a not insignificant contribution to knowledge of nature and culture in the Volga region at a time when the extensive Russian empire was being opened up. Even today their value is undiminished. |
|---|---|
| Descrição Física: | 4 Illustrationen (farbig) |
| Acesso: | [DE-21]Open Access |
| Obras secundárias: | Enthalten in: Evangelische Brüder-Unität, Unitas Fratrum
|
| Persistent identifiers: | DOI: 10.71704/unfr.v77i.95962 |