David Renatus Nitschmann (1748-1777): Lebensbild eines „Herrnhuters“ als Zeichner in Diensten der Akademie der Wissenschaften zu St. Petersburg

David Renatus Nitschmann (1748-1778), who came from a family of Moravian exiles, had a remarkable gift for drawing. The Moravians did their best to develop his artistic abilities: after a decent schooling, which included lessons in drawing, he was given the opportunity' to observe and work with...

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Библиографические подробности
Главный автор: Kröger, Rüdiger 1967- (Автор)
Формат: Электронный ресурс Статья
Язык:Немецкий
Проверить наличие: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Опубликовано: [2018]
В: Unitas Fratrum
Год: 2018, Том: 77, Страницы: 157-168
Индексация IxTheo:CD Христианство и культура
KAH Новое время
KBK Восточная Европа
KDG Свободная церковь
Другие ключевые слова:B Moravian Church
B Moravians
B PALLAS, P. S
B Artists
B Nitschmann, David
B Exiles
B GMELIN, Samuel Gottlieb
Online-ссылка: Volltext (kostenfrei)
Parallel Edition:Не электронный вид
Описание
Итог:David Renatus Nitschmann (1748-1778), who came from a family of Moravian exiles, had a remarkable gift for drawing. The Moravians did their best to develop his artistic abilities: after a decent schooling, which included lessons in drawing, he was given the opportunity' to observe and work with artists and artistic craftsmen, among them David Röntgen in Neuwied. His secular mindset was often a cause of irritation, however. The final attempt to retain him within the Moravians' ranks, under the oversight of his father, failed in Sarepta on the Volga. Thus, unlike many of his relatives, he did not find his spiritual home and life's work within the Moravian Church. Instead he entered the service of the St Petersburg professors S. G. Gmelin and P. S. Pallas, who visited Sarepta, as a documentary' draughtsman. He died in St Petersburg aged only thirty. Many of his natural history and ethnographic drawings served until the beginning of the nineteenth century' as templates for the elaborate illustrations in the works of von Gmelin and Pallas. With his depictions, which rested on precise observation, D. R. Nitschmann, together with his colleagues, made a not insignificant contribution to knowledge of nature and culture in the Volga region at a time when the extensive Russian empire was being opened up. Even today their value is undiminished.
Объем:4 Illustrationen (farbig)
Доступ:[DE-21]Open Access
Второстепенные работы:Enthalten in: Evangelische Brüder-Unität, Unitas Fratrum
Persistent identifiers:DOI: 10.71704/unfr.v77i.95962