Engaging Dwight Radcliff’s Remixing the Center
In this response, the author engages Dwight Radcliff’s contributions in Remixing the Center by demonstrating the pastoral and historiographical possibilities that emerge through use of Hip Hop Culture’s practices of sampling, mixing, and poesis. The author expands on Radcliff’s notion of pericolonia...
| Autore principale: | |
|---|---|
| Tipo di documento: | Elettronico Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
2025
|
| In: |
Missiology
Anno: 2025, Volume: 53, Fascicolo: 1, Pagine: 39-43 |
| Notazioni IxTheo: | CD Cristianesimo; cultura KBQ America settentrionale RJ Missione |
| Altre parole chiave: | B
Young adults
B Missione B hip hop culture B pericolonial B Missiology |
| Accesso online: |
Volltext (lizenzpflichtig) |
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| 520 | |a In this response, the author engages Dwight Radcliff’s contributions in Remixing the Center by demonstrating the pastoral and historiographical possibilities that emerge through use of Hip Hop Culture’s practices of sampling, mixing, and poesis. The author expands on Radcliff’s notion of pericolonial by suggesting some hopeful and pessimistic interpretations of youth dis-engagement, or sideways engagement, from institutional religious life. In conclusion, the author points to the globalization of HHC as indicating the potential of applying Radcliff’s missiological intervention at global scales of analysis and practice. | ||
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