Engaging Dwight Radcliff’s Remixing the Center
In this response, the author engages Dwight Radcliff’s contributions in Remixing the Center by demonstrating the pastoral and historiographical possibilities that emerge through use of Hip Hop Culture’s practices of sampling, mixing, and poesis. The author expands on Radcliff’s notion of pericolonia...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2025
|
| In: |
Missiology
Year: 2025, Volume: 53, Issue: 1, Pages: 39-43 |
| IxTheo Classification: | CD Christianity and Culture KBQ North America RJ Mission; missiology |
| Further subjects: | B
Young adults
B hip hop culture B pericolonial B Mission (international law B Missiology |
| Online Access: |
Volltext (lizenzpflichtig) |
| Summary: | In this response, the author engages Dwight Radcliff’s contributions in Remixing the Center by demonstrating the pastoral and historiographical possibilities that emerge through use of Hip Hop Culture’s practices of sampling, mixing, and poesis. The author expands on Radcliff’s notion of pericolonial by suggesting some hopeful and pessimistic interpretations of youth dis-engagement, or sideways engagement, from institutional religious life. In conclusion, the author points to the globalization of HHC as indicating the potential of applying Radcliff’s missiological intervention at global scales of analysis and practice. |
|---|---|
| ISSN: | 2051-3623 |
| Contains: | Enthalten in: Missiology
|
| Persistent identifiers: | DOI: 10.1177/00918296241292301 |
