El resentimiento en la moral y el deseo mimético.: Sobre el vitalismo moral en Mentira romántica y verdad novelesca de René Girard.

From the celebration of the 50th anniversary of the publication of Deceit, Desire, and the Novel it is worth noting the book entitled Mimesis, Desire, and the Novel. René Girard and literary criticism (2015), which, in a compilation by Pierpaolo Antonello and Heather Webb, commemorates the philosoph...

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Bibliographic Details
Main Author: Rodríguez, Juan Sebastián Ballén (Author)
Format: Electronic Article
Language:Spanish
Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 2022
In:Enthalten in: Revista interdisciplinar de Teoría Mimética. Xiphias Gladius (ISSN 2531-0054) (2022), 5, Seite 57-78
Standardized Subjects / Keyword chains:B Girard, René 1923-2015
B Mimesis
Online Access: Volltext (kostenfrei)
Description
Summary:From the celebration of the 50th anniversary of the publication of Deceit, Desire, and the Novel it is worth noting the book entitled Mimesis, Desire, and the Novel. René Girard and literary criticism (2015), which, in a compilation by Pierpaolo Antonello and Heather Webb, commemorates the philosopher's first work. For researchers this book is a classic because it proposes a comprehensive theory of human desire and its correspondence with the ethical and social phenomenon of intersubjectivity. Starting from this hypothesis of reading, we consider in the present essay that a theory of resentment in morality precedes the interdividual relations that are read by Girard when applying his analysis of mimetic desire to the main modern novels. Indeed, in novels from Cervantes to Dostoevsky, fictional characters define their interdividual relationships through the 'triangle of desire', a comprehensive model of human life found in the modern novel (Antonello & Antonello, 2015, p. 10). The triangularity of human relationships obeys the relational character of mimetic desire. Desire is dynamic and its unfolding takes place in the affective and social bonds of the particular feeling, the following of a model or object of mediation and rivalry. If the motive of human action is motivated by human desire, triangularity shows the relational character experienced by fictional characters.
Persistent identifiers:DOI: 10.32466/eufv-xg.2022.5.741.57-78