Unsayable word: gurbāni, Punjabi poetry, and the postsecular impulse

This essay examines some limitations of the critical framework deployed by theorists of modern secular Punjabi literature to establish the distinct of this genre and the nature of secular poetic consciousness in contradistinction from so called "medieval theocentric" literary genres such a...

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Bibliographic Details
Main Author: Mandair, Arvind-Pal ca. 20./21. Jh. (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 2024
In: Literature and theology
Year: 2024, Volume: 38, Issue: 2, Pages: 155-164
IxTheo Classification:AA Study of religion
AB Philosophy of religion; criticism of religion; atheism
AD Sociology of religion; religious policy
AG Religious life; material religion
KBM Asia
TA History
Online Access: Volltext (lizenzpflichtig)
Description
Summary:This essay examines some limitations of the critical framework deployed by theorists of modern secular Punjabi literature to establish the distinct of this genre and the nature of secular poetic consciousness in contradistinction from so called "medieval theocentric" literary genres such as gurbāni—better known as Sikh scripture. An important consequence of this reclassification of the "secular modern" versus "medieval sacred" literature, was the de-ontologization of the notion of Word (śabad), achieved by disinvesting the concept of śabad of connection to reality, self and world-making. I offer a different way of reading genres such as gurbāni which not only defy oppositional categories such as premodern/modern, secular/religious, but equally caution us from straightforward identification with the post-secular, post-modern, or post-human.
ISSN:1477-4623
Contains:Enthalten in: Literature and theology
Persistent identifiers:DOI: 10.1093/litthe/frae022