"Mein Herze schwimmt im Blut": die Solokantate BW 199 von J.S. Bach als individuelles Klagelied in der Tradition der alttestamentlichen Klagepsalmen

The psalms of complaint in the Hebrew Bible generally fall into three phases: complaint – request for help – affirmation of trust. Between the request and affirmation there is a break, which has been thought to point toward a priestly oracle of salvation (Heilsorakel). Today, this assumption is incr...

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Detalhes bibliográficos
Autor principal: Lescow, Theodor (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Alemão
Verificar disponibilidade: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado em: 2004
Em: Biblische Notizen
Ano: 2004, Volume: 121, Páginas: 95-102
(Cadeias de) Palavra- chave padrão:B Individuelle Klagelieder / Recepção / Bach, Johann Sebastian 1685-1750, Mein Herze schwimmt im Blut BWV 199.1
Classificações IxTheo:HB Antigo Testamento
RD Hinologia
Outras palavras-chave:B Bach, Johann Sebastian (1685-1750)
B Música
B Lamentação
Acesso em linha: Volltext (kostenfrei)
Parallel Edition:Não eletrônico
Descrição
Resumo:The psalms of complaint in the Hebrew Bible generally fall into three phases: complaint – request for help – affirmation of trust. Between the request and affirmation there is a break, which has been thought to point toward a priestly oracle of salvation (Heilsorakel). Today, this assumption is increasingly doubted. Despite the 2000 year interval and the completely different context of the prayer, cantata BW 199 is structured according to the same principle. This goes to prove that we are dealing here with a selfcontained, elementary prayer structure on which the process of prayer is based.
Acesso:[DE-21]Open Access
Obras secundárias:Enthalten in: Biblische Notizen
Persistent identifiers:DOI: 10.71715/bn.v121i.97974