"Mein Herze schwimmt im Blut": die Solokantate BW 199 von J.S. Bach als individuelles Klagelied in der Tradition der alttestamentlichen Klagepsalmen

The psalms of complaint in the Hebrew Bible generally fall into three phases: complaint – request for help – affirmation of trust. Between the request and affirmation there is a break, which has been thought to point toward a priestly oracle of salvation (Heilsorakel). Today, this assumption is incr...

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Detalles Bibliográficos
Autor principal: Lescow, Theodor (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Alemán
Verificar disponibilidad: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado: 2004
En: Biblische Notizen
Año: 2004, Volumen: 121, Páginas: 95-102
(Cadenas de) Palabra clave estándar:B Individuelle Klagelieder / Recepción / Bach, Johann Sebastian 1685-1750, Mein Herze schwimmt im Blut BWV 199.1
Clasificaciones IxTheo:HB Antiguo Testamento
RD Himnología
Otras palabras clave:B Bach, Johann Sebastian (1685-1750)
B Lamentación
B Música
Acceso en línea: Volltext (kostenfrei)
Parallel Edition:No electrónico
Descripción
Sumario:The psalms of complaint in the Hebrew Bible generally fall into three phases: complaint – request for help – affirmation of trust. Between the request and affirmation there is a break, which has been thought to point toward a priestly oracle of salvation (Heilsorakel). Today, this assumption is increasingly doubted. Despite the 2000 year interval and the completely different context of the prayer, cantata BW 199 is structured according to the same principle. This goes to prove that we are dealing here with a selfcontained, elementary prayer structure on which the process of prayer is based.
Acceso:[DE-21]Open Access
Obras secundarias:Enthalten in: Biblische Notizen
Persistent identifiers:DOI: 10.71715/bn.v121i.97974