Jesus’s Origins (Matthew 1–2) as Cultural Trauma

Jeffrey Alexander’s social theory about trauma provides a theoretical framework to explore Matthew’s Gospel’s two first chapters as a trauma narrative that wrestles in a creative way with at least two significant issues for its original audience: (1) How can Jesus be the Christ/Messiah and yet under...

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Bibliographische Detailangaben
1. VerfasserIn: Doane, Sébastien 1978- (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
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Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: 2024
In: Religions
Jahr: 2024, Band: 15, Heft: 8
weitere Schlagwörter:B trauma narrative
B Jesus’ origins
B Jeffrey Alexander
B Cultural Trauma
B Matthew 1–2
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Beschreibung
Zusammenfassung:Jeffrey Alexander’s social theory about trauma provides a theoretical framework to explore Matthew’s Gospel’s two first chapters as a trauma narrative that wrestles in a creative way with at least two significant issues for its original audience: (1) How can Jesus be the Christ/Messiah and yet undergo a shameful and violent death? (2) What are the national and theological implications of the destruction of the Temple in AD 70? Alexander’s four dimensions of representations of cultural trauma (the nature of the pain; the nature of the victim; the relation of the trauma victim to a wider audience; and the attribution of responsibility) guide the analysis. Matthew 1–2, as a trauma narrative, processes past trauma to encourage resilience against future traumatization. This can be a powerful tool to shape identity and promote solidarity by opening new avenues for understanding violent imagery.
ISSN:2077-1444
Enthält:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel15080956