Index Theologicus

Similar Items

• The Haydn collection of church music: selected and arranged from the works of Haydn, Handel, Mozart, Beethoven, Winter, Weber, Paer, Rossini, Mendelssohn, Cherubini, and others ; together with many original compositions
  by: Baker, B. F. 1811-1889
  Published: (1850)
• The sacred chorus book: consisting mostly of selections from the works of Handel, Haydn, Mozart, Mendelssohn, Romberg, Neukomm, Rossini, &c. &c. with an accompaniment for the organ or piano-forte ; suitable for singing societies, and advanced schools
  by: White, Edward L.
  Published: (1849)
• The Key-stone collection of church music: a complete collection of hymn tunes, anthems, Psalms, chants, &c.; to which is added the physiological system for training choirs and teaching singing schools; and the cantata, the Morning of freedom
  by: Johnson, A. N.
  Published: (1856)
• Musical monitor: or New-York collection of devotional church music
  by: Reed, Ephraim
  Published: (1817)
• Musical monitor: or New-York collection of church musick ; to which is prefixed, the elementary class-book, being an introduction to the science of musick
  by: Reed, Ephraim
  Published: (1825)
• Musical monitor: or New-York collection of church musick ; to which is prefixed, the elementary class-book, being an introduction to the science of musick
  by: Reed, Ephraim
  Published: (1827)
• The Musical casket: containing gems of vocal music; compiled from the works of Mendelssohn, Verdi, Donizetti, Rossini, Haydn, Glover, Neukomm, Silcher, Kucken, & others with new arrangements and adaptations; together with a selection of hymns, chants, anthems, solfeggio and vocalising exercises
  by: Woodman, Jonathan C.
  Published: (1863)
• The New York choralist: a new and copious collection of Psalm and hymn tunes, adapted to all the various metres in general use with a large variety of anthems and set pieces
  by: Hastings, Thomas 1784-1872
  Published: (1847)
• The Boston Musical Institute's collection of church music: comprising a great variety of Psalm and hymn tunes, anthems, chants, sentences, and other set pieces ; original and selected from the most eminent composers ...
  by: Comer, T.
  Published: (1840)
• The musical olio: containing, I. A concise introduction to the art of singing by note; II. A variety of Psalm tunes, hymns and set-pieces, selected principally from European authors ... together with a number of original pieces, never before published
  by: Olmsted, Timothy 1759-1848
  Published: (1805)
• The Musical olio: containing I. A concise introduction to the art of singing by note ; II. A variety of Psalm and hymn tunes, suited to the metres used in our religious worshipping assemblies ; selected from the most celebrated foreign authors ; to this editions is added a number of sublime ancient tunes ; together with a few original pieces, never before published
  by: Olmsted, Timothy 1759-1848
  Published: (1811)
• The Southern harmony, and musical companion: containing a choice collection of tunes, hymns, psalms, odes, and anthems ; selected from the most eminent authors in the United States ; together with nearly one hundred new tunes, which have never before been published ...
  by: Walker, William 1809-1875
  Published: (1847)
• Selah: a collection of Psalm and hymn tunes, introits, anthems, chants, motetts, choruses, &c. adapted to the use of classes, private circles, and worshiping assemblies
  by: Hastings, Thomas 1784-1872
  Published: (1856)
• Musica sacra, or, Springfield and Utica collections, united: consisting of Psalm and hymn tunes, anthems, and chants; arranged for two, three, or four voices, with a figured base for the organ or piano forte
  by: Hastings, Thomas 1784-1872
  Published: (1827)
• Musica sacra, or, Springfield and Utica collections united: consisting of Psalm and hymn tunes, anthems, and chants, arranged for two, three, or four voices, with a figured bass for the organ or piano forte
  by: Hastings, Thomas 1784-1872
  Published: (1831)
• The Manhattan collection of Psalm and hymn tunes and anthems: compiled and composed under the special patronage of the New York Academy of Sacred Music, and adapted to the use of classes, choirs and congregations, with a figured base for the organ
  by: Hastings, Thomas 1784-1872
  Published: (1845)
• Cantica laudis, or The American book of church music: being chiefly a selection of chaste and elegant melodies, from the most classic authors, ancient and modern, with harmony parts; together with chants, anthems, and other set pieces; for choirs and singing schools; to which are added tunes for congregational singing
  by: Mason, Lowell 1792-1872
  Published: (1850)
• Musica sacra, or Springfield and Utica collections united: consisting of Psalm and hymn tunes, anthems and chants ; arranged for two, three or four voices, with a figured base for the organ or piano forte
  by: Hastings, Thomas 1784-1872
  Published: (1823)
• Musica sacra, or Springfield and Utica collections united: consisting of Psalm and hymn tunes, anthems and chants ; arranged for two, three, or four voices, with a figured base for the organ or piano forte
  by: Hastings, Thomas 1784-1872
  Published: (1822)
• Musica sacra, or Springfield and Utica collections united: consisting of Psalm and hymn tunes, anthems and chants ; arranged for two, three or four voices, with a figured bass for the organ or piano forte
  by: Hastings, Thomas 1784-1872
  Published: (1818)