“Horse and Rider He Threw into the Sea” (Exod 15:1): The Horse as an Image of the Body and of Passion in the Alexandrian Tradition
This article examines the use of the horse as an image of the body and of passion in the Alexandrian theological tradition. It started with Philo, who regarded the horse as a symbol of passion. Clement and Origen adopted the Philonic interpretation. Origen, who exploited the image most, saw the hors...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2024
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| In: |
Vigiliae Christianae
Year: 2024, Volume: 78, Issue: 3, Pages: 225-248 |
| Further subjects: | B
Allegorical Interpretation
B Philo of Alexandria B Didymus the Blind B Origen |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | This article examines the use of the horse as an image of the body and of passion in the Alexandrian theological tradition. It started with Philo, who regarded the horse as a symbol of passion. Clement and Origen adopted the Philonic interpretation. Origen, who exploited the image most, saw the horse as representing the body, bodily things, irrational passions and desires of the flesh. Finally, following in Origen’s footsteps, Didymus also interpreted the horse as a figure of the body. In addition, both Origen and Didymus distinguished between the image of the horseman and that of the rider, following the example of a predecessor, whom they did not mention by name: Philo. |
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| ISSN: | 1570-0720 |
| Contains: | Enthalten in: Vigiliae Christianae
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| Persistent identifiers: | DOI: 10.1163/15700720-bja10080 |