Is There an End to the Theatrical Play? Hans Urs von Balthasar’s Understanding of the Beatific Vision in Relation to the Theo-Drama
Hans Urs von Balthasar’s teaching on the beatific vision has been drawing scholarly attention. By building upon the works of Thomas Dalzell, Aidan Nichols, and Anne Carpenter, I advance the discussion by demonstrating that the dramatic and artistic-poetic grounding of Balthasar’s theo-drama shapes t...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sage Publ.
2024
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| In: |
Theological studies
Year: 2024, Volume: 85, Issue: 2, Pages: 216-239 |
| Further subjects: | B
Christ’s mission
B Christ’s consciousness B the descent B Maximus the Confessor B Irenaeus B Recapitulation B Theo-drama B Beatific Vision B Hans Urs Von Balthasar B Theological Aesthetics |
| Online Access: |
Volltext (kostenfrei) |
| Summary: | Hans Urs von Balthasar’s teaching on the beatific vision has been drawing scholarly attention. By building upon the works of Thomas Dalzell, Aidan Nichols, and Anne Carpenter, I advance the discussion by demonstrating that the dramatic and artistic-poetic grounding of Balthasar’s theo-drama shapes the way he understands the beatific vision. In his later work, Balthasar transposes the Catholic understanding of the beatific vision according to the art form and logic of drama. Specifically, using the notions of the visio immediata Dei and the visio mortis, he transposes the meaning of the beatific vision such that the divine essence is understood as a union of love in conversation with the Thomistic perspective of an immediate knowledge of God. |
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| ISSN: | 2169-1304 |
| Contains: | Enthalten in: Theological studies
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| Persistent identifiers: | DOI: 10.1177/00405639241245927 |