Prayer, Deconstruction, and Boundless Play: Saʿd al-Dīn Ḥamūya’s Avant-Garde Sufism

This article focuses on the performative textual strategies of Saʿd al-Dīn Ḥamūya (d. 1252), a Mongol-era Sufi whose arcane treatises both bewildered and inspired future generations of occultists, mystics, and messiahs. Framing Ḥamūya’s work as avant-garde Sufism or Sufi free jazz, the article demon...

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Bibliographic Details
Main Author: Uy, Cyril V. (Author)
Format: Electronic Article
Language:English
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 2024
In: History of religions
Year: 2024, Volume: 63, Issue: 3, Pages: 290-320
Standardized Subjects / Keyword chains:B Saʿd-ad-Dīn Ḥammūya, Muḥammad Ibn-Muʾaiyad 1189-1252 / Sufism / Imparting the faith / Religious practice / Hermeneutics
IxTheo Classification:AG Religious life; material religion
BJ Islam
TG High Middle Ages
VB Hermeneutics; Philosophy
Online Access: Volltext (lizenzpflichtig)
Description
Summary:This article focuses on the performative textual strategies of Saʿd al-Dīn Ḥamūya (d. 1252), a Mongol-era Sufi whose arcane treatises both bewildered and inspired future generations of occultists, mystics, and messiahs. Framing Ḥamūya’s work as avant-garde Sufism or Sufi free jazz, the article demonstrates how the shaykh self-consciously deconstructed medieval Sufi genre conventions to engage readers in an active process of meaning making. The training manuals penned by Ḥamūya’s teachers and colleagues bound abstract metaphysical frameworks to the embodied and affective dimensions of Sufi praxis, teaching readers to negotiate multiple levels of reality through careful scrutiny of their own subjective experiences. With a deft use of structural allusion and ritual cues, Ḥamūya placed his own idiosyncratic formulations in conversation with these manuals while simultaneously deconstructing the very conventions through which they became meaningful. In so doing, the shaykh forced advanced Sufi readers to continually remap constellations of theory, practice, and experience without a stable hermeneutical center, thus leaving his work radically open to play and interpretation. While his colleagues claimed spiritual authority by subsuming a diversity of embodied practices and metaphysical frames within a single authorial vision, Ḥamūya parochialized their universalizing pretensions by recruiting readers to imagine and expand the endless possibilities of reality for him.
ISSN:1545-6935
Contains:Enthalten in: History of religions
Persistent identifiers:DOI: 10.1086/728125