Incarnation and Imagination in Jayber Crow: Wendell Berry's Divine Comedy

Wendell Berry models Jayber Crow on Dante’s Divine Comedy, and in doing so, he dramatizes a fundamental mystery of Christian theology: the Incarnation. Dante and Jayber make parallel errors on their winding pilgrimages to the beatific vision. At times they are tempted to enjoy created goods for thei...

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Bibliographic Details
Authors: Reardon, Sarah (Author) ; Bilbro, Jeffrey (Author)
Format: Electronic Article
Language:English
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Published: Johns Hopkins University Press 2024
In: Christianity & literature
Year: 2024, Volume: 73, Issue: 1, Pages: 119-137
IxTheo Classification:CB Christian life; spirituality
CD Christianity and Culture
KAF Church history 1300-1500; late Middle Ages
KAJ Church history 1914-; recent history
NBC Doctrine of God
NBK Soteriology
Further subjects:B Incarnation
B Imagination
B Jayber Crow
B Wendell Berry
B Dante
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Description
Summary:Wendell Berry models Jayber Crow on Dante’s Divine Comedy, and in doing so, he dramatizes a fundamental mystery of Christian theology: the Incarnation. Dante and Jayber make parallel errors on their winding pilgrimages to the beatific vision. At times they are tempted to enjoy created goods for their own sakes. At other times they experience frustration with the need to know Christ through the fallen-yet- redeemed members of his earthly body, and they seek instead to apprehend him directly. Yet both eventually enjoy the transcendent gift of God’s presence, and they do so mediated through his earthly body, the communion of saints.
ISSN:2056-5666
Contains:Enthalten in: Christianity & literature
Persistent identifiers:DOI: 10.1353/chy.2024.a925057